Spanish Crisis symbol in Santa Pola, Alicante. A mid-century symbol of the previous construction and tourism bubble, updated in 2009 by guerrilla art hacking of Sam3.

Spanish Crisis symbol in Santa Pola, Alicante. A mid-century symbol of the previous construction and tourism bubble, updated in 2009 by guerrilla art hacking of Sam3.

Tsunehisa Kimura distopy art (1928-2008)

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(Sr. X en Gijón)

(Sr. X en Gijón)

ARMAN “Long Term Parking”, completed in 1982, the sculpture is an 18-meter (60-ft.) high accumulation of 60 automobiles embedded in over 18,000 kg (40,000 lbs.) of concrete. Located in Parc de sculpture Le Montcel, Jouy-en-Josas, France

ARMAN “Long Term Parking”, completed in 1982, the sculpture is an 18-meter (60-ft.) high accumulation of 60 automobiles embedded in over 18,000 kg (40,000 lbs.) of concrete. Located in Parc de sculpture Le Montcel, Jouy-en-Josas, France

darksilenceinsuburbia:

Sarah Eisenlohr. Walk on the Beach.
On Tumblr: http://saraheisart.tumblr.com/

darksilenceinsuburbia:

Sarah Eisenlohr. Walk on the Beach.

On Tumblr: http://saraheisart.tumblr.com/

(vía saraheisart)

Two Stage Transfer Drawing 1971
“As I run a marker along Eric’s s back he attempts to duplicate the movement on the wall. My activity stimulates a kinetic response from his sensory system. I am, therefore, Drawing Through Him”
(vía Dennis Oppenheim, Two Stage Transfer Drawing, 1971,)

Two Stage Transfer Drawing 1971

“As I run a marker along Eric’s s back he attempts to duplicate the movement on the wall. My activity stimulates a kinetic response from his sensory system. I am, therefore, Drawing Through Him”

(vía Dennis Oppenheim, Two Stage Transfer Drawing, 1971,)

Artist Simon Beck needed a way to get exercise without aggravating his problematic feet, and discovered that walking around in the snow with rigid boots and snowshoes resulted in the least amount of pain. He then came up with the amazing idea of doing crop circle-style designs in large expanses of untracked snow.

Beck spends the good part of a day — between five to nine hours — plodding along according to a pre-planned design. Once each piece is finished, he photographs them from a higher vantage point to preserve them before sunlight, wind, or snow erases them from the face of the Earth. The art is so large that some of the pieces cover entire valleys.
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Naked volunteers pose for Spencer Tunick in the Europarking building in Amsterdam, on June 3, 2007. (Reuters/Koen van Weel) (vía The Naked World of Spencer Tunick - In Focus - The Atlantic)

Naked volunteers pose for Spencer Tunick in the Europarking building in Amsterdam, on June 3, 2007. (Reuters/Koen van Weel) (vía The Naked World of Spencer Tunick - In Focus - The Atlantic)

Thousands of naked volunteers pose for Spencer Tunick in Mexico City’s Zocalo square, on May 6, 2007. (Reuters/Henry Romero) (vía The Naked World of Spencer Tunick - In Focus - The Atlantic)

Thousands of naked volunteers pose for Spencer Tunick in Mexico City’s Zocalo square, on May 6, 2007. (Reuters/Henry Romero) (vía The Naked World of Spencer Tunick - In Focus - The Atlantic)

Bicycled » A bike made out of cars (por Lola Madrid)

thingsorganizedneatly:

blackcontemporaryart:

grupaok:

David Hammons, Bliz-aard Ball Sale, Cooper Square, New York, 1983

David Hammons

editor: I’ve never seen these images before—awesome!

A sandstone block built from lego, blending real objects with 3d prints (por Greg Petchkovsky)

(vía ‘Stacked’ by Ai Weiwei: 760 Stacked Bicycles at Galleria Continua | Colossal)

LOS ENCARGADOS
Jorge Galindo y Santiago Sierra, 
Gran Vía, Madrid, 15 Agosto 2012

(Fuente: youtube.com)